Pastel Course in Périgord

Stage of pastel in Montignac of Patrice Bourdin

Pastel course of 3 days, april 17, 18 and 19, 2019, organized by Pastel Girault, manufacturers of dry pastels.
Open to beginners and experts, free subject, one condition bring your tools..

Place: Montignac 24290 next to Lascaux 4
Advance registration required  : ou 05 53 51 88 18

A 8 hands show

For the first anniversary of the "Pastels Girault" gallery in Montignac, a challenge was organized on November 25th, 2017 for four artists selected by Pastels Girault : Marjorie Martin-Sisteron, Michel Bordas, Patrice Bourdin and Stéphane Le Mouel. They had to do a demonstration of pastels with eight hands by creating 4 paintings collectively.

The paintings were signed by the four artists. Three, chosen at random, were donated to the winners of a raffle and the fourth was donated to the municipality of Montignac-Lascaux.

New paintings 2017

tableau d'une coulée d'eau en premier plan dans un vallée de pins
  • tableau d'une coulée d'eau en premier plan dans un vallée de pins

Pastel becomes a majort art.

At the beginning and all along the sixteenth century, pastel is mainly used to enhance with few colorful touches drawn portraits.

In the seventeeth century, its use widespreads and it established itself as an independent technique. In 1665, Nicolas Dumontier's pastel is given for the first time as a subject of reception at the Royal Academy. Then, it was necessary to wait until 1701 to see the Salon accept two Vivien's pastels "François Girardon's portrait" and"Robert de Cotte's portrait" (Louvre), which earned him to be accepted to the Academy as "pastel painter".
It should be noted that Vivien is the first to do full-length and full-sized portraits, creating such majestic effigies type that will develop all along the eighteenth century.

It's also at this time, that production of pastels experiences its maximum growth. 

In the nineteenth century, even if pastel is still used for portaits, it becomes a tool of choice for Impressionists, reflecting the most fleeting moods.
In the twentieth century, it is still very appreciated for the most vivid colours.

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